Sunday, December 22, 2019
5 Key Terms Of Dramatism Example
Essays on 5 Key Terms Of Dramatism Coursework Reflection Discussion: 5 Key Terms of Dramatist In investigating the semantic dimensions of language, the five primal terms of dramatists are the best tools to use. However, from the real life experiences, there exist ambiguities in analyzing a situation using these terms. There exists a great variance in the analysis of different situations and thus the ambiguity. Besides, the interrelationships among these terms are eminent as it is revealed by encounters in the real world.When the five terms of dramatist are used to analyze a situation, the interrelationship between these terms is apparent. It is because some terms have to work together in forming a common ground or substance for a given situation (Burke XIX). For instance, dancing in a church can be considered inappropriate, whereas dancing in a wedding is granted. In this context, the scene, and the act have a strong relationship. The interrelationship is used as the ground for justifying the appropriateness of an act, given the prevailing scene.The terms also bring forth ambiguity when used in the analysis of situations. In fact, the social and political trends surrounding a given situation act as the sources of ambiguity (Burke XVII). For instance, one can consider voting as an act and the voters as the agents during an election. From a differing point of view, the votes and voters can all be seen as the agents of a politician or even part of the scene through which he or she gets into office. Also, war brings out the point of ambiguity clearly in the sense that; during a military officer regards war as scene because it inspires the nature of his training, another person views war as an agency because it is a means through which an end, victory, is achieved. Without doubt, different situations deserve different analysis when using the five key terms of the dramatist.Work CitedBurke, Kenneth. A Grammar of Motives. Berkeley, CA: Univ. of California Press, 2000. Print.
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